Ojasvi Taak
(Book Review)
Author Khushwant Singh
Translator Irfan Ahmad Khan Lahore, Pakistan
Country India
Language English
Genre Historical novel
Published 1990
Publisher Penguin Books India Ltd
The book moves in reverse and advances in time through the historical backdrop of Delhi. It has as its setting the tale of a writer fallen on terrible occasions (conceivably a personal figure) and his relationship with a hijra (eunuch) named Bhagmati.
This huge, sexual, flippant perfect work of art on the city of Delhi begins with the storyteller, interestingly Khushwant Singh himself, simply coming back from England in the wake of ‘having his fill of whoring in outside terrains’, an off color, maturing delinquent who adores the city of Delhi, as much as he cherishes the revolting yet enthusiastic bisexual prostitute Bhagmati, whom he actually gets from an abandoned street on a blistering Delhi summer early afternoon. Having no spot to follow finishing her prison sentence in the feared Tihar Jail (most likely for selling sex), she asks to be encouraged. The sort sardar obliges, and in this way starts an awesome relationship of good and bad times in the storyteller’s life. Bhagmati, neither male nor female yet possessive of incredible colorful sex offer, vitalizes his life in the midst of the glorious survives from Delhi in its prime, and even spares the storyteller’s life from the frantic crowds of the 1984 enemy of Sikh uproars.
Showing his brand name endowment of exacting funniness and an expert student of history’s command over portrayal, the author takes turn, part by section, on the historical backdrop of the incredible city and his own sexual endeavors and misfortunes with vitality mems and desolate armed force spouses whom he should ‘show Delhi’, other whimsical writers, editors and civil servants, a half-frantic Sikh ex-armed force driver, an aficionado gurudwara bhaiji, among numerous other beautiful characters. At the same time the storyteller goes through occasions Delhi has seen, letting us know in a most intriguing way, as the principal individual, all that Delhi has been to Nadir Shah, Taimur and Aurangzeb and so forth who ravaged and annihilated her, (Also averse to popular opinion, the book has a lot of good things on Aurangzeb. He didn’t live off people’s taxes) and to Meer Taqi Meer and Bahadur Shah Zafar whom Delhi decimated; he glances through the eyes of semi-verifiable characters like Musaddi Lal Kayasth, a Hindu believer working under the antagonistic Ghiyas ud clamor Balban in the fourteenth century—the beginning of the Mughal Empire, straight up to Nihal Singh, a Sikh soldier of fortune who doles
out his recorded retribution with the Mughals by helping the British in smashing the Sepoy Mutiny of 1857 – the nightfall of the Mughal realm, Mrs. Alice Aldwell, the spouse to an English government worker who changes over to Islam to get away from mistreatment (however is as yet assaulted), the dynamic, innovative and canny Punjabi business visionaries who won the British agreements to manufacture Lutyens’ Delhi (Sir Sobha Singh, the essayist’s dad, was one such individual), to a furious youthful Hindu youth whose sister was kidnapped and assaulted in Pakistan, and has been discarded from Western Punjab during the Partition of India, searching for some stir winds up joining with Rashtriya Swayamsevak Sangh (RSS) and renders retribution by delivering viciousness upon Delhi Muslims, and incidentally turning out to be observer to maybe the most significant and conclusive occasion in the nation’s history—the death of Mahatma Gandhi.
The epic finishes with the threatened storyteller watching his Sikh neighbors barbarously consumed alive by individuals maddened because of the murdering of Indira Gandhi by her Sikh gatekeepers.
A must read from the viewer’s perspective if you want to bear witness to the romance between the author and the magnificent city of Delhi, what it was, what it used to be and isn’t today and finally what it is today.
Read Also
THE INTELLIGENT INVESTOR – BENJAMIN GRAHAM
